Book of Time: Yu Shicun on the 24 Solar Terms

Written by Yu Shicun, illustrations by Lao Shu, published by China Friendship Publishing Company, January 2017

On November 30, 2016, China’s 24 Solar Terms, a knowledge system to measure time developed by Chinese ancestors upon observations of solar movement, was included on the 2016 Representative List of the Intangible Cultural Heritage of Humanity, becoming the 39th item of Chinese heritage to make the list.
The ancient Chinese divided the sun’s annual movement into 24 equal parts, with the spring equinox, the autumn equinox, the winter solstice, and the summer solstice each dividing solar terms. The earliest complete record of the system was found in the Writings of Prince Huainan published during the Han Dynasty (202-220 B.C.). The system still influences Chinese thinking and behavior.
Yu Shicun’s Book of Time is a comprehensive guide to China’s culture of solar terms, illuminating it from unique angles. Yu applies the 24 Solar Terms to fields including astronomy, climate, agriculture, healthcare, aesthetics and philosophy as well as from perspectives of Chinese history, customs, and survival methods.
The author interprets the Chinese philosophy of time: Not only do solar terms relate to agriculture and health, but they inspire feelings and transmit knowledge on life, nature, and the universe. By focusing on the relationship between nature and man across these terms, the author argues that these ancient schemes are still at work today.
Yu Shicun, an outstanding Chinese writer and poet, is considered “one of the greatest thinkers of modern China” with highly influential philosophies, a strong sense of historical mission, and the temperament of an intellectual. is major works include Trilogy of Man, Uncommon Sense: Discourse of China 1840-1999, and Big Time: Rediscovery of the Book of Changes.
The book features illustrations by Lao Shu, also known as Liu Shuyong, an eminent Chinese scholar and painter who serves as a professor at the School of Culture and Communication under the Central University of Finance and Economics as well as a critic of visual culture.